Haider, the movie adaptation of the Shakespearean tragedy ‘Hamlet’, is a cold, brutal yet poetic drama of revenge set aptly in the frigidly beautiful Kashmir valley. It is a tale of disturbing internal conflicts and complicated relationships with a compelling plot of vengeance.
It is the tale of Haider (Shahid Kapoor) who is returning from college to his homeland owing to his father`s disappearance after the Army arrests him for sheltering militants. Haider, on his return, learns of the affair going on between his mother (Tabu) and his quirky, treacherous Uncle (Kay Kay Menon) and soon after, learns about his father`s murder facilitated by his Uncle. He, thus, sets out to kill his uncle.The narration is extremely compelling for a movie of such serious nature. The tragic story is a vivid poetry that magnificently describes different shades of love, vengeance and sheer madness of human beings using visuals, words and silence. Even the background score and songs change moods along with the tale.
This powerful and deep story has equally impressive characters and required powerful performances. That is exactly what you get from the cast. Shahid Kapoor delivers one of the best acting performances in recent times and, I believe, has a firm grip on the National Award.He lives his character onscreen as a disturbingly tragic young man who swings between tender, lovable boy and a complete revenge-driven maniac. Tabu, as the arcane lady who is caught between the love for his son and adoration for her partner, has put in a fabulous performance which will remain with you long after you leave the cinema hall. Finally, Kay Kay Menon as an amusing but detestably villainous uncle of Haider is absolutely brilliant and would’ve been a show stealer if not for Shahid Kapoor. Shraddha Kapoor as Haider’s lady-love, even though gets shadowed by the three mentioned above has done a good job. Irffan Khan does an interesting cameo which seemed like a walk-in-a-park for him. Rest of the cast including the witty Salman brothers played their parts really well.
Vishal Bharadwaj will win all the accolades. He has scripted(along with Basharat Peer) and directed a wonderful tribute to the legendary artist. This is arguably one of the best, if not the best onscreen adaptation of a Shakespearean tragedy. Pankaj Varma of the Ship of Theseus fame cranks the camera for Haider and does a great job. The movie, despite its dark melancholic nature is not at all dull and so Aarif Sheik with the cuts deserves some praise. Vishal Bharadwaj’s background score and songs are terrific especially the title track “Aao Na”, which sets a haunting mood to the climax, is a brilliant one. ‘Haider’ is a movie which uses the songs incredibly well. Each song depicts each emotional state of mind of Haider. Watch out for Vishal’s own rendition ‘Jhelum’, a melancholic beauty.
If you are looking for an over-the top action flick with slap-stick wits, this is not your movie. This is a movie showcases the plight of folks who live in one of the most militarized zones in the world, a tale of ruthless vendetta. I would be terribly disappointed if Shahid Kapoor and Tabu do not win a lot of awards.
What happens when Christopher Nolan meets an extremely-difficult-to-understand-yet-fascinating concept?
The usual thing to happen is a great cinematic experience which will assure goosebumps, and Interstellar does give you several of those instances, but towards the end Nolan’s incredible imagination runs a wee bit wild.
Interstellar is a science fiction thriller and an emotional roller coaster which will keep you on the edge of your seats all the way through. But being a physics graduate, there are certain things that I can`t ignore. It’s just that, there are several moments where Nolan has tried bending Physics so much that it creates a few scientific flaws. Dealing with such delicate and complex subjects like inter-galactic journeys and worm hole can be unimaginable for several filmmakers, even scientists. Nolan has managed to fabulously pull this off with the help of theoretical physicist Kip Thorne.
Interstellar is the story of four astronauts going in search of a habitable planet, since Earth is on the brink of an ecological collapse with severe food scarcity resulting from regular crop failures. NASA is working in secret, since public should not find out the huge funding, to use the Gravitational anomaly near Saturn; a miraculously formed wormhole about 49 years ago, to reach another galaxy and find habitable planets. The team along with two robots in the space craft Endurance piloted by an ex-NASA pilot and engineer, sets out on a brave and magnificent expedition.
The problem with Interstellar is that Nolan`s imagination creeps into science, like a planet existing extremely close to a black hole or a wormhole coming into existence out of nowhere; both of which are questionable. Well, I guess this is what the fiction part of “science-fiction” constitutes. There are a few other qualms, regarding traversing a black-hole and sending messages from future to past. The narration is a bit slow compared to other Nolan movies and a little short of those marvelous one-liners and memorable dialogues which is a trademark of his epic movies. These won’t matter once you are into the Nolan trance.
Nolan brings out the best in actors and as usual, we have magnificent performances. Matthew McConaughey as Cooper gives a memorable act and moves your mind. Anne Hathaway is good as Dr. Amelia Brand. Jessica Chastain, as Cooper’s grown up daughter Murphy, delivers a brilliant performance. Michael Caine, a constant for Nolan Movies, is great as usual. All the others including Matt Damon, David Gyasi, Casey Affleck and Mackenzie Foy have delivered wonderfully.
Coming to the technical side, ‘compromise’ is not a word in Nolan`s repertoire even if he is dealing with things which humans find difficult to imagine. The movie has such impressive graphics that it has led to a research paper on computer graphics by Kip Thorne. Some of the greatest effects, real and & computer generated, in the history of filmmaking keeps you in awe right till the end. Brilliant brothers, Christopher and Jonathan Nolan has combined to script a blistering space epic, despite the fact that there are some big question marks over the logical possibility of certain events in the tale. Cinematography by Hoyte van Hoyetema and music by Hans Zimmer are out of this world. They engross you with the intense emotions of love, awe and despair.
Quoting from Nolan’s movie “Prestige”, “The secret impresses no one. The trick you use it for is everything.”
Interstellar is a fascinating cosmic feast which is as close to an actual interstellar travel that anyone has reached. Christopher Nolan emphatically manages to keep the viewers in awe of science. At same time, never lets them them worry about the theory. It’s like a magic trick. Audience loves magic even though they don`t know what is behind it. Interstellar is a piece of magic, you may not understand the secrets behind it, yet you will drown in awe.